Extreme Witchcraft: Eels’ Latest Album Reveals the Magic of Human Nature
By Julia Norkus
Los Angeles-based indie rocker Eels released his latest album Extreme Witchcraft on January 28, 2022, which encourages self analysis in the new year.
The artist’s fourteenth album is reminiscent of the alternative rock that is synonymous with the ‘90s grunge movement, with a healthy dose of electric guitar, a hint of synthesizer, and an attitude that exemplifies the teenage experience. And there’s no questioning that Eels’ style has continued to grow with his grunge origins in mind.
Mark Everett (he/him) (nicknamed E), the mastermind behind Eels, developed an interest in rock music with the help of his sister Elizabeth, listening to the stylings of Neil Young every day together as kids. In 1991, he signed to Polydor Records, thus beginning E’s indie rock journey, one that would continue into 2022. His new album has been no exception to the influence of his grunge and rock origins, where he reimagines the alternative sound to mix the influential style of the decade with a modern groove.
The first song off of Extreme Witchcraft, “Amateur Hour,” opens up the album with an infectious guitar riff, with relatable self-deprecating lyrics about the idea of being subpar and the weight of the constant reminder of someday- “You gotta go pro someday/Someday.” It’s the perfect opener for a raw album about self reflection and a deep dive into the soul of a man. “Strawberries & Popcorn,” has a simpler but more driving guitar riff that carries the tune of the piece, showing a darker shade of the opening track’s bounce. This song dives into the meat of the album, showing that while humans crave love and attention, we don’t always want the negativity brought with it. There are accents of the flute and triangle throughout the piece, giving it a bright nature reminiscent of love and romance. However, the guitar brings a heavier side of romance into the picture, reminding the listener that you can not have the rainbow without the rain.
The album closes with “I Know You’re Right,” a song about, obviously, being wrong, but also being aware of our flaws. Once again, to err is to be human, with E saying over and over again, “When I’m wrong, I’m wrong/And I can be so wrong/I know you’re right/I’m a goddamn fool.” He’s emphasizing this idea that society pushes perfection, meanwhile, no one is perfect, whether you end up being right or wrong in whatever event life throws your way.
Overall, Extreme Witchcraft is a champion of authenticity. It’s an alternative album that feels fresh and exciting as we continue to obsess over the ‘90s and the culture that grew from the decade. While staying true to his alternative roots, Eels ushers in a new era with the most recent addition to his discography.