In our final Staff Pix of the semester, the Milk Crate staff reflects on the music we came to though each other. Sure, we might be a little self-obsessed, but it’s the end of the school year and we’re allowed to be mushy.
Read MoreSure, I might be embarrassed to admit that I listen to the Phineas and Ferb soundtrack regularly, but there’s no denying its sincerity.
Read MoreI think there’s a Shakespeare in every corner of the South Bronx. And maybe a few Homers sprinkled throughout Fort Greene. All my favorite poets have always been rappers.
Read MoreThe Milk Crate staff considers the music we didn’t like at first but grew to love. A portion of this article is featured in our Spring 2022 zine “Guilty Pleasures”.
Read MoreBig Thief has been one of the best concert experiences I’ve had ever, period.
Read MoreWe’re finally two-thirds of the way through April, and we’ve got music to help you celebrate this extravagant occasion that is the twentieth of August.
Read MoreWith around 20k followers on the video-making platform and 40k streams on Spotify for her debut single, “Calypso”—a midwestern emo-esque lo-fi track about a love tainted by Stockholm Syndrome, like that of the relationship between the siren Calypso and Odysseus—Ash remains humble in the face of her rising popularity.
Read MoreLorde’s performance reaffirmed why I love going to concerts.
Read MoreThe Milk Crate staff’s favorite recent releases, presented with blurbs worthy of a promotional sticker on a jewel case. Tune in Fridays from 1-2 EST to the Staff Pix radio show.
Read MoreWet Leg released their self-titled debut album last Friday, April 8, with Wet Leg, a twelve-song ode to heartache, introversion, and disappointment. The album culminates much of the band’s inner turmoil surrounding relationships and love without the typical melancholy tone of heartbreak songs.
Read MoreLizzy McAlpine is honing her craft in five seconds flat, outgrowing her previously established acoustic shell and layering her songs with a new level of emotional depth. This record incorporates a storyline of love and heartbreak with instrumentals that convey the story with heavy plucking of strings, crescendos and staccatoed strums, and exposes a new side to McAlpine’s music— one that shows more than the joy and brightness of love.
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