Please stop being boring. I don’t want to hear your current music at the clubs anymore, I’m getting tired of it.
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The French New Wave background visuals, the style fit for FRUiTS Magazine, the mix of live and trip-hop elements all coalesce into a retro-futurist aesthetic. What was once avant-garde feels now like relics of the past.
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Most every song sounded like a criminal concoction of synths, cringeworthy lyrics, and out-of-place features.
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We all let Machine Girl course through our veins and we left with the heat of drum and bass radiating from our skin.
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Racing through that Amberwood, it only really was a dream. Staring through that Panavision lens, I’ll make it come true.
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There’s a fierceness plague. Everyone is trying to eat, but there were already no crumbs left on the plate.
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It seems that the real call is coming from inside the house.
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By ignoring the noise around him, Tyler has given his fans the greatest gift he can—his most uncompromising and honest project so far.
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From the energy of the venue itself to his enthusiasm and passion for the music, Kushner created a truly unforgettable experience. His transcendence of typical concert conventions and connection with the audience made for a great concert experience.
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Cold War Kids, you darn corndogs, you. All love. And reader, if you too are part of the Certified “Hang Me Up To Dry” Hate Club, email me. Let’s get lunch.
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Thronged with dreamy harmonics and perfected cultural references, “Aquamarine” is unlike anything Rae has released before.
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