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WECB’s Music Publication (online and in print!)
Hear the Resounding Here: 45th Anniversary of Laraaji’s “Day of Radiance” at Arlington Church
Design by Christian Jones By Christian JOnes “Is someone sitting here?” I ask an older asian man, over the sound of crickets buzzing. He is sitting in a pew alone, three rows from the altar. “No no, go right ahead”…
Lily Allen’s “West End Girl”: A Delightfully Bitter Black Comedy
Design by Addy Russel By Bennett Himmel In the age of confessional, wry, witty pop stars, Lily Allen’s absence has been felt. Since 2006, she’s been wowing people with her hilarious yet wise lyricism, reggae and ska inspired grooves, and…
A Trip to the Symphony with RosalÍa
Design by Sophie Parrish By Izzie Claudio Last week, Rosalía released “Berghain,” featuring Bjök and Yves Tumor. For her first single in over a year, I was pleasantly surprised by the abrupt genre shift she’s showcasing. The song begins with…
Bassvictim is reborn on “Forever”
Design by Katie Lew by katie lew bassvictim presents Forever as more than just another release. They announced this as their “first album” despite having two earlier full-lengths– Basspunk (2024) and Basspunk 2 (2025). This really shows the reset and…
Single Review: “BROWN SUGAH” by Isaiah Falls
Design by Anna Brody By eleniz cary From Orlando, Florida, producer, rapper, and songwriter Isaiah Falls preaches the sentiment of indulgence in his newest EP, Lucky You. The first track, “Brown Sugah,” featuring SiR, exists as a melodic translation of…