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WECB’s Music Publication (online and in print!)
Annie Saw The Future
Anniemal, as a whole, was welcomed with open arms by the indie scene and music critics alike. Through sheer word of mouth, dance-pop had suddenly earned a seat at the table in indie music. With tracks that commented on class,…
Staff Pix 3/6: Daylist
Smooth-brained mood waiting at airport terminal for very early or very late flights For that ultimate liminal space where fluorescent light sterilizes the eyes and the utter monotony of each minute passes, seemingly slower than the last, sending the mind…
A Self At Odds: Imitation (how to become you) Review
Doggone can do it all. Producing, recording, songwriting, singing…his creative vision is one that spans every mode of production, and it’s evident through his consistent delivery. Within a year and half, he’s released six singles, all intentionally paired with a…
Life Still Feels like Exile in Guyville
Exile in Guyville could be a sob story about shitty ex-boyfriends and childhood trauma and bad sex, but Phair doesn’t sing it like she wants your sympathy, or even like she’s particularly upset over the situation. It sounds like she’s…
Staff Pix 2/27: Magical
“Spellbound” by Siouxsie and the Banshees “Spellbound” (1981) is the perfect example of Siouxsie and the Banshees’ magnetizing goth sound. Released as the first single from the band’s fourth studio album, Juju, “Spellbound” brews up Siouxsie Sioux’s hypnotic vocals, bewitching…