The Marías Mourning
The two songs echo the pop, trip-hop, and heavier electronic essence of their sophomore album, Submarine, while introducing new synth sounds and chord elements.
milk crate
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Wallows Gives Us “More” In Their New EP
The EP is energetic whilst introspective, delicate while assertive, and hopeful while realistic.
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Revenge always comes last: Jane Remover’s “Revengeseekerz”
With great force, flying out of the cavernous maze of a bruised mind, Jane Remover returns with a malformed heart and ferocious gaze.
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Staff Pix 4/4: Instrumental
Toot toot! Dum dum dahhhh… Tweedlee-dee, tweedledee-da, wah woh… This week’s all about instruments! Here’s what the staff’s been rootin’ and tootin’ about. “最後の楽園” by Haruomi Hosono If there is one thing in life I am guaranteed to do, it’s rave about Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita’s brilliantly dreamy Pacific. Give me the…
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Stoned at the Winery: Catching Up with a Stone Temple Pilots Tribute Band
“[Scott Weiland] isn’t the easiest guy to emulate,” he says. “So I gotta imagine what he would be doing at this age. I’m not taking my shirt off, I’m not dying my hair orange.”
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Riley LePere: The Multi-Instrumentalist, Soothing, Saxophone Serenader
You’re reading the wrong article if you’re looking for a story about a young boy who picks up an instrument and becomes a prodigy.
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Staff Pix 3/28: Not on Streaming
No Spotify? No Apple Music? Easy. Bandcamp is cool though. Take it back to the days before streaming and into the days of endless YouTube doomlistening with some of our favorite deepcuts. “u had it coming” by addison rae Before the success of “Diet Pepsi,” Addison Rae spent two years coping with the backlash of…
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The cataclysmic sound of now: YHWH Nailgun’s “45 Pounds”
Now is the time to emit a powerful message, crystalline in presentation, though unapologetically mad and emotional in its aftermath. The devil has returned to remind the public of its devastation and brilliance: This is YHWH Nailgun.
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20 Years of “The Sunlandic Twins”
I feel a deep, personal connection to this project as I have also been a twin for twenty years. While me being born was less influential on the evolution of psychedelic music, there’s still time.
