The Underground Sound of Emerson College
Exploring problematic aspects of musicians we love, attempting to reclaim what we might have been shamed for listening to, and everything in between, in 20 articles we cover both the guilt and pleasure of being a music lover.
Coming off of the success of his 2016 single “Line Without A Hook,” Ricky Montgomery (he/him) released his latest indie-pop EP It’s 2016 Somewhere on April 15.
In our final Staff Pix of the semester, the Milk Crate staff reflects on the music we came to though each other. Sure, we might be a little self-obsessed, but it’s the end of the school year and we’re allowed to be mushy.
Sure, I might be embarrassed to admit that I listen to the Phineas and Ferb soundtrack regularly, but there’s no denying its sincerity.
I think there’s a Shakespeare in every corner of the South Bronx. And maybe a few Homers sprinkled throughout Fort Greene. All my favorite poets have always been rappers.
The Milk Crate staff considers the music we didn’t like at first but grew to love. A portion of this article is featured in our Spring 2022 zine “Guilty Pleasures”.
Big Thief has been one of the best concert experiences I’ve had ever, period.
We’re finally two-thirds of the way through April, and we’ve got music to help you celebrate this extravagant occasion that is the twentieth of August.
With around 20k followers on the video-making platform and 40k streams on Spotify for her debut single, “Calypso”—a midwestern emo-esque lo-fi track about a love tainted by Stockholm Syndrome, like that of the relationship between the siren Calypso and Odysseus—Ash remains humble in the face of her rising popularity.