Taking Inventory on Lo Village
The trio’s sound lives comfortably in a musical space completely unique to them, making it difficult to place in the larger scene…
milk crate
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Hayley Williams: No More Music for the Masses
Flowers for Vases/descansos, released February 5th, reads as Hayley William’s personal diary, a collection of memories and mourning.
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The Freaks: A Testament to Youth
It’s impossible to crawl back in time, but if you feel the need to fill a void of youth in your soul, The Freaks are here to help.
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Subgenres: Fall 2020 Zine
Milk Crate’s Fall 2020 zine dives into eleven niche subgenres.
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Ademir is “Lovesick” on Latest Single
Ademir captures the duplexity of confusion and clarity inherent in deep infatuation in his latest single….
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Shutups: Fed by Friendship
Plenty of bands are started with dreams of selling out stadiums, fueled by a lust for bright lights and fat stacks of cash. Oakland’s power-pop duo Shutups turns this narrative on its head.
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A Beginner’s Guide to Music Copyright
Music copyright never entered my mind as a listener until the infamous case between Robin Thicke and Pharrel Williams and Marvin Gaye’s estate …
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Sky High’s Soundtrack Accidentally Got Me Hooked on New Wave
My introduction to one of the greatest love songs of all time — Modern English’s “I Melt With You” — was not through the British new wave band themselves, but instead …
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Cumulus Frisbee: An interview with Jack Cotolo about art in all shapes and sizes
Many creatives rely on the complex paradox of great art. How can one focus the audience …
