Big Thief Deals in Folk Mysticism on U.F.O.F.
U.F.O.F. hits the ground limping and plods on until it reaches a dignified waltz. The opener…
Milk Crate
Fontaines D.C. Are Gonna be Big: Dogrel Review
Irish post-punk group, Fontaines D.C. could easily take any other band in their category by the collar…
A Lo-Fi Love Letter
Lofi hip hop is slept on. When I say this, I don’t mean the “lofi hip hop radio – beats to relax/study to” or…
Isaiah Rashad: Slept On or Sought After?
Isaiah Rashad had a pretty typical introduction to the game, dropping a mixtape…
Anderson .Paak’s Ventura is a Necessary Development from Oxnard
Ventura is Anderson .Paak’s fourth and (potentially) final album…
An Interview with Club Sofa
Club Sofa, a play on “club soda” with a bit of emphasis on “chilling” (as they described in…
George Clanton and Acts of 100% Electronica Charge Up a Sold Out Crowd at Elsewhere Zone 1 Brooklyn
I remember my first thought when I woke up to my alarm at 6 AM after a long week…
Yee How (Did the Cowboy Trope Become Popularized?)
As an infamous individual on the now deceased Vine once said, “Yee yee,” a country bumpkin…
Guns is Quelle Chris’ Most Direct Album Yet
Quelle Chris is an underrated voice in art-rap. While not as versatile as art-rap staples…