Looping in and running out of time: Roy Blair’s “Chasing Moving Trains”
Racing through that Amberwood, it only really was a dream. Staring through that Panavision lens, I’ll make it come true.
Album Review
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“CHROMAKOPIA” pulls no punches, and proves Tyler the Creator is at the top of his game
By ignoring the noise around him, Tyler has given his fans the greatest gift he can—his most uncompromising and honest project so far.
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“Blackout” Turns 17: A Retrospective
It is manic and dizzying; it is brilliant.
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A Voyage Through Space and Genre: A Review of Nala Sinephro’s “Endlessness”
One can just as easily listen to the album and marvel at its textural turns and momentary innovations as they can substitute it for white noise while working at a coffee shop. Even the clarity of the production itself, at times fuzzy and at other times razor-sharp, supports this ambiguity of interest.
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Into the Abyss: Bon Iver’s “SABLE”
At times, this feels more like a conversation between friends than an EP to be released for millions to enjoy.
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La Femme Leans Into a Dark New Wave Sound on Rock Machine
The sound of the ‘80s flows through each album and a darker new wave sound finds its way into their newest project.
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Still Can’t Get Out Of This Mood: The Excellence of Samara Joy
To put it plainly: these cats are cookin’!
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ALBUM REVIEW: “FOR CRYIN’ OUT LOUD”
Primarily known as Billie Eilish’s brother and producer, Finneas Baird O’Connell – or mononymously known as FINNEAS – released his sophomore album For Cryin’ Out Loud on October 4th. He finds himself on this album comfortable in a spotlight of his own.
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Lizzie McAlpine on Growing “Older (and Wiser)”
Older speaks to me. It’s so beautifully universal; everyone is constantly growing older, constantly experiencing life. Everyone can feel the story McAlpine has to tell.
